The portraits of the second piano corridor di uffitzi

I think that someting the measuretress mentioned during our interview the other day " That much of the purpose of science is to use constraints to measure an ever changing universe " is true. Only because it validates my second favorite saying "la bottiglia è mezzo pieno o mezzo vuoto, tocca a voi." mainly because it is true.

Anyway enough of the measuring stuff. Back to the adveturino.

At uffitzi yesterday, there is a long corrido on piano número duo. It has many many statuata and the portraits the Medici and the Lorraine's. They very hard to look at, not just because they up high the walls but because not one single one of them is either pretty or handsome. They all have the googly eyes and the short necks and the narrow shoulders and the funny little mustachio ( even the men) and the immensio dimplio nosio in the middle of the facio only a Nonna's could loves.

Just as well they rich is best I can come up with.

This a picture from the gallery. It is by titziano ( he was borne up at pieve di cadore btw ).

It is called st Margaret and the crocodille monsta of the notte .

also the Tintoretto about the Leda and the swan. The drawing a bit suggestives and my editor give no permissio. She also say the images of the dog, the duck, the gatto and the swan and the handmaiden are all allegorical metaphors. Lot a big words there but you know what she like. I say the dog is for the good lucks and the gatto is to chase the rattio and the duck is for the dinner.

Talking the permissio.....

Today I go the boboli giardini. This time with proper invite from the duke of Arno. They no kicks me out this time. I also take some plonk for the refreshing lunch time drinks. I take a Hemingway mojito mix.

Should be fun.

I also go get modeled for replacement St. Mark statuatti at orsanmichelle. Old one worn out.